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Brahms Violin Concerto given enlightening lift
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Bell was in strong control of this piece and the orchestra moved with his at every pace. The first two movements follow Brahms’ mood of playful lilting, which Bell accentuated by his own first movement cadenza and body movement. He seemed to be moving a little too much for my taste, however one truly notices, without a doubt, the musicianship that oozes from his being. The slow second movement was introspective enough to calm the audience but also keeping the notion that thought and beautiful ease work hand in hand. And one could hardly mistake the energetic gypsy inspired third movement that kept the audience on the edge of our seats. Unfortunately for us, there was no encore performance, simply an audience left with a sense that they had witnessed a beautiful, magnetic, musical performance.
Comments to: ekuehn@echoworld.com
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