Toronto, ON – For the first time in the company’s
history, Opera Atelier will embark on an important co-production
with The Glimmerglass Festival. OA’s enthralling
production of Jean-Baptiste Lully’s Armide will
first be produced in Toronto prior to making its debut at North
America’s most prestigious opera festival.
The Muslim and Christian worlds collide in Lully’s Armide – the supreme operatic masterpiece of the 17th
century. The invincible Christian knight Renaud and the Muslim
warrior princess Armide play out their doomed love affair
against a backdrop of hopeless obsession, jealousy and magic.
“Glimmerglass
has long had an association with baroque music, especially
Handel and the Italian repertoire, but I very much wanted
to present a French baroque work to our audiences,” said
Francesca Zambello, Glimmerglass Festival Artistic & General
Director. “However, I knew to produce Armide
properly we would need collaborators who could bring us the
right style, as well as an eye to historical craft. As I have
long admired the work of Opera Atelier, under the artistic
leadership of Marshall Pynkoski and Jeannette Lajeunesse Zingg,
I thought the company would be an ideal producing partner. I am
excited for the opportunity to collaborate on this unique work
that includes such a lavish visual language, as well as period
dancers and performance practice. It will be a truly theatrical
experience.”
According to OA Co-Artistic Director Marshall Pynkoski,
“Lully’s Armide is a seamless melding of opera and
ballet into a unique form of storytelling. As such, it promises
to be the perfect showcase for Opera Atelier’s Glimmerglass debut.”
The Glimmerglass Festival’s participation has enabled Opera
Atelier to add major design elements to Armide
making it the most sumptuous production in OA history.
Armide will star soprano Peggy Kriha Dye in the
title role, tenor Colin Ainsworth as the Christian knight
Renaud, and bass João Fernandes as Hidraot, with the full
corps of Artists of Atelier Ballet. Opera Atelier’s Music
Director David Fallis conducts the Tafelmusik Baroque
Orchestra and Chamber Choir.
The creative team for Armide includes director
Marshall Pynkoski, choreographer Jeannette Lajeunesse
Zingg, designer Gerard Gauci, and lighting designer
Bonnie Beecher. Armide runs April 14, 15, 17,
18, 20 and 21, 2012 and will be sung in French with English
SURTITLESTM. Armide will run at The
Glimmerglass Festival July and August 2012.
The 2011-12 Season opens with Opera Atelier’s period production
of Don Giovanni. This production of Mozart’s dark
ironic comedy has captivated audiences throughout Japan, Korea
and North America.
Opera Atelier’s Don Giovanni returns to Toronto in
a glittering new period production designed by OA’s
award-winning design team of Gerard Gauci and Martha
Mann.
OA’s production of Don Giovanni features Canadian
baritone Phillip Addis (who created a sensation as the
Count in OA’s 2010 production of The Marriage of Figaro)
as the incorrigible Don Giovanni. The production features
soprano Carla Huhtanen (Zerlina), baritone Vasil
Garvanliev (Leporello), soprano Peggy Kriha Dye
(Donna Elvira), soprano Meghan Lindsay (Donna Anna), baritone Curtis Sullivan
(Masetto/Commendatore), tenor Lawrence Wiliford (Don
Ottavio) and the full corps of the Artists of Atelier Ballet.
Italian conductor Stefano Montanari makes his Opera
Atelier debut conducting Tafelmusik Orchestra. Don
Giovanni will be directed and choreographed by OA’s
Co-Artistic Directors Marshall Pynkoski and Jeannette
Lajeunesse Zingg respectively.
Don Giovanni runs October 29, 30, November 1, 2, 4
and 5, 2011 and will be sung in Italian with English
SURTITLESTM.
Performances for Opera Atelier’s 2011-12 Season will take place
at the Elgin Theatre (189 Yonge Street) in Toronto with evening
performances at 7:30 p.m., and Sunday matinee
performances at 3:00 p.m. Subscriptions start at $90 and
are on sale now by calling 416-703-3767 ext. 222. Single
tickets for Don Giovanni go on sale on August 2,
2011. For more information visit
www.operaatelier.com.
Opera Atelier also gratefully acknowledges the ongoing support
of The Canada Council for the Arts, the Ontario Arts Council,
the City of Toronto through the Toronto Arts Council, and the
Creative Trust.
Opera Atelier is Canada’s premier baroque
opera/ballet company, producing opera, ballet and drama from the
17th and 18th centuries. While drawing upon the aesthetics and
ideals of the period, Opera Atelier goes beyond “reconstruction”
and infuses each production with an inventive theatricality that
resonates with modern audiences. Over the past twenty-five
years, lead by founding director Marshall Pynkoski and founding
choreographer Jeannette Lajeunesse Zingg, Opera Atelier has
garnered acclaim for its performances at home as well as in the
United States, Europe and Asia.
The Glimmerglass Festival is a professional, non-profit
organization presenting four new productions in rotation every
July and August. The company’s Alice Busch Opera Theater opened
in 1987 and has been home to more than 85 productions, many of
which have been world and professional premieres. Francesca
Zambello was appointed Artistic & General Director in September
2010. The company continues is tradition of four new fully
staged productions, now to include three operas and a piece of
American musical theater performed as intended with full
orchestra and no sound amplification. Main stage performances
are supplemented by special performances, concerts, Q&As, a
discussion series and more. Founded in 1975, the company
continues to attract an international audience to the scenic
Cooperstown area, where the talent of singers, directors,
designers and staff from around the world converges to produce
world-class opera and music theater.
|
|