This
was indeed a "Fest", daringly organized by the Waterloo Centre for German
Studies (WCGS) under the leadership of Dr. David John, the Centre’s
Director. It was daring, because it was a programme that lasted over 6
hours, beginning at 4pm with a lecture - in German - by Professor Sigfrid
Hoefer presenting "Brecht während der Kriegs und Nachkriegszeit" at MacKirdy
Hall of St. Paul’s College. This was followed by a German "Brecht Schmaus",
catered in the same Hall by Chartwells, caterers to various University
Colleges, and later -at 8pm - by a U of W Drama Department’s Theatre
presentation of Brecht’s "Caucasian Chalk Circle" (in English).
Like Brecht’s works or not, each stage of this
extraordinary event was a success in its own right.
The
lecture by Prof Hoefert, best known as passionate literary researcher, was
well received. He presented a broad picture of Brecht’s restless life and
variable recognition, wherever he went. Brecht is sometimes referred to as
"influential German socialist dramatist", and – by Max Frisch - as "durchschlagend
wirkungslos" ("profoundly without effect"). Prof Hoefert, adjunct professor
at the University of Waterloo, was bombarded with questions from the
predominantly German audience, who clearly had a great interest in Brecht’s
tumultuous life, controversial works and his exile travels in Europe,
Scandinavia, Eastern Europe and North America.
![Brecht-Schmaus at MacKirdy Hall [photo: Herwig Wandschneider]](704c-HW3011_small.jpg)
The "Schmaus" was indeed that – a truely German
Schmaus. Organized on behalf of Chartwells, Ronald Turner, Food Services
Manager, presented a German buffet of excellent Red Cabbage, Sauerkraut,
Bratwurst and Schnitzel etc to this sold-out event. Guests lingered over
dessert and coffee in lively debates over the lecture and many arrived a
little late at the Theater of the Arts. In the lobby and hallways on the way
to the theatre were students performing sketches, as they did earlier after
Prof Hoefert’s lecture. Also pictures and television film-excerpts were
presented to transport the audience back into the events and times – to the
Zeitgeist - of Bertold Brecht.
The
highlight of the "Fest" was the U of W Theatre Department’s presentation of
"Der kaukasische Kreidekreis", the cause for WCGS’s "Brecht Fest". Again,
you may or may not like Brecht’s works, and also this play was and continues
to be controversial in its format and its content to this day. (The spirit
of the Chalk Circle goes back to Solomonic times and for those, who were not
among the more than 250 strong audience, the storyline can be found on the
Internet). The management and presentation of this, the UW Drama
Department’s most expensive and complex production to date (Imprint March
16, 2007), was impressive, whether you focused on the stage design, the
directing, acting, singing or the costumes. A tremendous work put together
by over 100 students, graduates and professionals to bring it to a level of
professional theatre. From the prologue, localized in a fashion to the Grand
River area, through musical background, song and dialogue, to its
conclusion, the performance was fascinating and captivating. Outstandingly
convincing performances were delivered by Johnny Trinh as
singer
and Azdak the judge, and Whitney Allen as Grusha, the adoptive mother of
Michael, who had been abandoned by his real mother, the Governor’s wife.
Directed by Alex Fallis and superbly stage managed by Amy Tait, the
production was exceptional and memorable.
The play was in English and thus drew all lovers
of excellent theatre to this historically controversial piece of German
literature. It was an inspired idea by WCGS to take this 8th
performance of the play as a cause for developing the "Brecht Fest". The
play was thus not only seen by the English speaking K-W community, but
served also as a presentation to the German speaking community. In this way,
it reflected this publication’s motto "A bilingual bridge between people,
generations, culture and countries". The risk taken by WCGS by putting the
"Brecht Fest" together in this lengthy format was rewarded by much better
than usual attendance of WCGS’s events by K-W’s German and German-English
bilingual community. Well done and very much worth pursuing in the future.