Parfumerie by Miklόs László at Soulpepper in Toronto
I missed seeing Parfumerie in 2009 and listening to the
enthusiastic commentaries both by the press as well as theatre
aficionados, consequently I was looking forward to the repeat
production in 2011. And indeed, it is a play and production
worth seeing – at the show I attended people were buying
“standing room only” tickets. It was written in 1937 and set in
Budapest, Laszlo’s native city.
Brenda Robbins and Adam Pettle did a fabulous job adapting the
play, Morris Panych directed with flair and enthusiasm and the
set design by Ken MacDonald deserves a special note: it is a
breathtaking art nouveau style of interior of the elegant
European parfumerie. And with all the details!
The story rings a bell: two employees of the aforementioned
establishment are involved in exchanging anonymous letters via
mail boxes and have fallen in love. What they do not know is
that the objects of their affection are the co-workers at the
parfumerie. In 1998 the tale was adapted for the film You’ve Got
Mail with memorable parts played by Meg Ryan and Tom Hanks.
Besides the main plot there are other on-going stories: the
discovery of the affair of one of the employees with the wife of
Mr. Hammerschmidt, the proprietor of the parfumerie,
and
the career change of the very ambitious delivery boy.
Each story line is well-developed in itself and provides the
audience with an opportunity to watch how they evolve and offer
sincere joy and laughter. Two main roles are played by Patricia
Fagan and Oliver Dennis, and Joseph Ziegler plays the part of
Mr. Hammerschmidt.
It is not only a great play, its adaptation, acting, directing
and stage design are also exceptional. I have seen The Guardsman
written by another Hungarian playwright Ferenc Molnar at
Soulpepper in 2009, and now Parfumerie – maybe non-English
European writers are worth looking into, translating, adapting
and introducing something different to the Canadian audience, so
accustomed to watching mainly British and American plays. There
is more to traditional Europe than it seems. Just a thought.
Soulpepper Theatre in Toronto has announced its 2012 program,
among other plays Long Day’s Journey into the Night by Eugene
O’Neil in February and in March, The Sunshine Boys by Neil
Simon, The Crucible by Arthur Miller, both running from July
till September, Endgame by Samual Beckett in October and repeat
of the success of last year Death of the Salesman in September.
There are subscriptions and 4 tickets packs available. So call
416-866-8666 or visit
www.soulpepper.ca.
|
|