Niagara-on-the-Lake, Ontario … Preview performances of
In Good King Charles’s Golden Days, George Bernard Shaw’s
Restoration romp begin today, Friday, April 17, 2009, at the
Royal George Theatre.
A religious leader (Ric Reid), an artist (Ken James
Stewart) and Charles II, the Merrie Monarch (Benedict
Campbell), meet at Sir Isaac Newton’s (Graeme Somerville)
house. The set-up for a joke? No, it’s Shaw’s Restoration
comedy, where debates on everything – from geometry to art to
love potions – ensue.
First produced in 1939, Shaw’s history lesson in three
acts is a witty and decidedly Shavian take on some great men
(and women) of history. The play’s subtitle, "A True History
that Never Happened", gives insight into Shaw’s whimsical
approach to this fascinating and humorous discussion piece.
Shaw pondered what would happen if several prominent and
influential men of history met at the height of their powers?
What debates and discussions would this gathering inspire? And
what if this discussion was, on occasion, interrupted by one or
several of the King’s mistresses? The result is a lively
dialogue spanning both the serious and comedic on a wide-range
of topics.
Artistic Director Jackie Maxwell considers this
brilliant ensemble piece "a glorious opportunity for
our actors to display their unparalleled gifts for Shavian comic
mayhem." In Good King Charles’s Golden
Days also
features Shaw Ensemble members Laurie Paton, Esther
Maloney, Mary Haney, Nicola Correia-Damude,
Claire Jullien, Lisa Codrington and Andrew Bunker.
Directed by Eda Holmes, director of last season’s The
Little Foxes and the highly acclaimed 2004 Shaw Festival
production of the musical Floyd Collins, In Good
King Charles’s Golden Days has set design by Camellia
Koo, costume design by Michael Gianfrancesco,
lighting design by Bonnie Beecher and fight
direction by John Stead. The stage management team
includes Stage Manager Beatrice Campbell, Assistant Stage
Manager Barry Burns and Production Stage Manager
Judy Farthing.
In Good King
Charles’s Golden Days begins preview performances
Friday, April 17; opens Thursday, May 21; and plays in repertory
until Friday, October 9. In Good King Charles’s Golden
Days is generously sponsored by the Producers Circle.
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