This is the fourth and final segment in the series. If you
missed the first three, you can find them at these website
addresses:
www.echoworld.com/B08/B0803/B0803HW2.htm
(the first segment),
www.echoworld.com/B08/B0804/B0804HW.htm
(the second segment) and at
http://www.echoworld.com/B08/B0805/B0805hw1.htm
(the third segment).
Herwig Wandschneider
1970 - Present
In spite of the Rock' n Roll acrobatic years, normal social
and ballroom dance lessons continued everywhere in the world. As
a normal consequence, social Ballroom and Latin dance
competitions were and are held everywhere in the world,
nationally and internationally.
With the help of the many countries and cultures, different
dances arrived on the world scene and continue to be danced
today.
- Social Foxtrot: persisted from its start at the Roseland
Ballroom, New York, since 1912
- Tango: Argentina, started about 1920 when German
immigrants brought the little Hand Harmonica to Argentina.
After the daily work on the pampas was done the men danced
together and developed the Argentinean Tango. The tango
arrived in England around 1933 and is no stranger to the
dance floor today.
- Slow or English Waltz started in England in 1933 by the
famous Victor Sylvester.
- Slow Foxtrot: another typical English development with
the most difficult beat to dance to.
- Quickstep: basically a faster social Foxtrot. The dance
is a linear dance and should be danced around the dance
floor counter clock wise.
… and many more
Alex Moore from Kingston on Thames, south of London, England,
wrote the world-famous theory book "The Revised Technique" for 4
standard dances in 1934.
In Germany, the Deutscher Tanzsportverband e.V. (DTV) started
in 1921 in Neu-Isenburg. Today it is the Umbrella
Organization for all amateur dance and dance-related activity
associations and organizes numerous dance competitions. They
eventually hired "dancesport trainers from the sport university
in Cologne" .
The term "Ballroom Dancing" has in fact progressed in this
period to the term "Dancesport" in recognition of the fact that
a vigorous rumba, for example, burns up the same calories and
requires the same exertion as a bicycle competition or a
footrace over a similar period of
time according to a University
of Freiburg study, which was published in the November 1997
issue of Forbes Magazine. Ballroom Dancing requires physical
fitness, stamina, strength, flexibility and above all, muscular
control and balance.
It is therefore not surprising that Dance
Associations around the world today lobby for inclusion of
Ballroom Dancing in Olympic competitions.
Also in Germany, the Allgemeiner Deutscher Tanzlehrer Verband
(ADTV) started in Enzkloesterle im Schwarzwald in 1936 and
covers all professional dance teachers in Germany. The
ADTV studios had their own "unified" social dance syllabus" for
social dancers of all age groups. This syllabus is meant for the
absolute beginners who really do not know left from right. Also
part of it is the book on etiquette "Umgangsformen für den
Täglichen Gebrauch".
In the 1970s and 80s solo dances found their way to the dance
floor, such as "Disco-Dancing", the "Hip Hop" and many others
and are actively pursued in local clubs. My opinion is that such
dances as the "hip hop" are absolutely useless. They are the
downfall of all civilized dancing which had started in 1750.
The Economist (a world-wide weekly magazine originating from
England) brings us to the very present with their take on the
Latin Dance "Salsa". According to the March 29-April 4, 2008
issue (Vol 386 # 8573 ……. "salsa has become the biggest
international dance craze since the advent of Rock'n'roll in the
1950s, and dwarfs even the popularity of tango during the 1920s.
It has spawned a new niche for the tourist industry, as
stiff-hipped northerners fly south to learn to loosen up".
It goes on to say that " Its appeal spread outside the
(Caribbean) region in the 1990s, for reasons that are not hard
to divine. A fast, intimate couple dance, it allows much contact
between partners, generating sexual frisson."
…. "The Dominican Republic is an anomaly. It has produced
several top bands but "Salsa" is barely danced except by
tourists. The locals prefer 'Merengue', at carwashes
equipped with bars. At weekends the forecourt is filled with
tables and a live band. Salsa may come, but for now if you want
to spend Saturday night at the carwash you'll need to dance 'Merengue'."
To master the fast Salsa, you need to first learn (and be
proficient with) the Rumba and Mambo. The Salsa developed from
these dances in Cuba and elsewhere in the Caribbean largely
because the Rumba and Mambo were considered to be slow and
boring for the age 20’s and 30’s crowd. Above all, you need to
be in very good physical shape.
Horst Kessler
Note
by Herwig Wandschneider::
Herr Kessler began his career in dance in 1950 in Jena,
Germany. He received intensive competition training at A.T.
Schmucki Dance School in Zurich, Switzerland and passed tests
with HC (highly commended). He worked as assistant in Munich. In
Canada since 1966 he taught part-time at various clubs and
trained instructors at Social Dance Studios, before moving to
Kitchener in 1973.
He opened Kessler Studio of Dance in 1976.
Following his first competition in 1979, he organized 58 Dancesport Festivals, Studio- and semi-annual competitions. He
danced in 148 competitions at all levels and has served as judge
nationally and internationally. He appeared monthly on the
CKCO-TV on the Betty Thompson Show. He is a full member of the
Canadian Dance Teachers Association and continues to teach and
judge. He dreams of setting up a Viennese Ball at Bingeman Park
In Kitchener with 200 elegantly dressed couples for the
2008-2009 dance season.
Photos: Herwig Wandschneider
|